HOW SPEAKERS WORK

Two speakers,
one triangle.

Every loudspeaker is a small electric motor pushing air.

A coil of wire sits inside a magnet and drives a cone back and forth, thousands of times a second. Where you put the pair matters as much as what is inside: the European Broadcasting Union describes a simple layout for its listening rooms that works at home too.

Check the layout Read the short answer
Two plain wooden bookshelf speakers on stands either side of a living room, angled towards an armchair placed centrally between them
AI-generated image, not a photograph of a real person or place.
01 Coil, magnet, cone02 Ear height, not floor03 Off the wallSimple physics, better sound

THE SHORT ANSWER

A motor for air,
placed with care.

The physics is the same in every speaker.
The room layout is up to you.

HOW IT WORKS

Coil, magnet, cone

An alternating current in the voice coil makes it attract and repel the permanent magnet, so the coil vibrates and drives the cone that pushes the air.

Inside a speaker

THE LAYOUT

Make a triangle

The EBU layout puts the pair 2 to 4 metres apart at a 60 degree angle from the listener, who sits about 0.9 times that gap away.

Check the layout

THE ROOM

Give them space

Free-standing speakers should be at least 1 metre from the walls, with their centres at least 1.2 metres up, about seated ear height.

Set it up

A QUICK LAYOUT CHECK

How far, how high,
how wide?

Pick a measurement to see what the European Broadcasting Union's listening-room guidance says. The bar gives a rough sense of the scale involved.

These figures describe reference rooms for judging sound quality. In an ordinary living room, treat them as a starting point rather than a rule.

Layout check

Choose a measurement
Gap between the speakers2 to 4 m

The stereo base, the distance between the two speakers, should be more than 2 and less than 4 metres.

Distance to the listenerAbout 0.9 × the gap

The listener sits on the centre line at about 0.9 times the gap, which gives the optimal 60 degree angle between the speakers.

Speaker heightAt least 1.2 m

The acoustic centre of each speaker should be at least 1.2 metres up, about the height of a seated person's ears.

Distance from the wallsAt least 1 m

Speakers that are not built into the wall should have their acoustic centres at least 1 metre from the surrounding walls.

Timing between channelsUnder 100 µs

Time differences between the left and right channels should not exceed 100 microseconds, one ten-thousandth of a second.

Source: EBU Tech 3276, Listening conditions for the assessment of sound programme material: monophonic and two-channel stereophonic, 2nd edition (1998).

TWO NUMBERS WORTH KNOWING

A wide angle,
a small return.

One figure on the layout,
one on how little power becomes sound.

STEREO ANGLE · EBU

Optimal angle between the two speakers

60°

Seen from the listening position, the two speakers sit 60 degrees apart, with the listener about 0.9 times the speaker gap away.

EFFICIENCY · MIT COURSE NOTES

Share of electrical power that becomes sound

0.5–2%

Loudspeakers are very inefficient. Most of the energy is lost as heat from the voice coil and the circuits, including the crossover.

That is why speakers need an amplifier: the original signal is too weak to move the cone audibly, so the amplifier produces a copy with the same frequency but a much larger amplitude.

Hands holding a tape measure stretched from the back of a speaker on a stand to the wall behind it
AI-generated image, not a photograph of a real person or place.

FOUR STEPS FOR A STEREO PAIR

Borrow the
broadcaster's layout.

These steps follow the EBU listening-room layout, scaled for a home. You need a tape measure and a little floor space.

  1. Space the pair 2 to 4 metres apartPlace the two speakers symmetrically either side of the spot where you will sit.
  2. Sit on the centre linePut your chair about 0.9 times the speaker gap away, so the speakers sit 60 degrees apart.
  3. Raise them to ear heightAim for the middle of each speaker at about 1.2 metres, the height of a seated listener's ears.
  4. Pull them off the wallLeave about 1 metre between free-standing speakers and the walls around them.

INSIDE A SPEAKER

Six parts,
one job.

A typical driver has a magnet structure, a voice coil, a spider that carries the coil's movement, a cone that pushes the air, a basket that holds it all together and a dust cap. Cones range from about 1.5 to 18 inches across.

The signal's frequency sets how fast the cone moves, and so the pitch; its amplitude sets how hard the cone pushes, and so the volume. Our ears are most sensitive between about 1 and 4 kHz and less sensitive at high and low frequencies.

A close-up of a bare loudspeaker driver lying on a workbench, showing its paper cone, rubber surround and metal basket
AI-generated image, not a photograph of a real person or place.

QUESTIONS PEOPLE ASK

Frequently asked

How does a loudspeaker make sound?

An alternating current flows through a coil attached to a cone. The coil is alternately attracted to and repelled by a permanent magnet, so it vibrates, and the cone pushes the air into sound waves.

Why does a speaker need an amplifier?

The signal from a source is too weak to move the cone audibly. An amplifier produces a copy of the signal with the same frequency but much larger amplitude.

How far apart should stereo speakers be?

The EBU listening-room guidance gives a gap of between 2 and 4 metres, with the listener about 0.9 times that distance away so the speakers sit 60 degrees apart.

Why do speakers get warm?

Speakers turn only about 0.5 to 2 percent of the power they use into sound. Most of the rest is lost as heat from the voice coil and the circuits.

Is there a standard for surround sound layouts?

Yes. Multichannel layouts with and without a picture are set out in ITU-R Recommendation BS.775; the version in force, BS.775-4, was approved in December 2022.

SOURCES

Where the facts come from

Each figure on this page comes from the sources below. Check them for the full detail and context.

  1. EBU Tech 3276: Listening conditions for the assessment of sound programme material, monophonic and two-channel stereophonic
  2. ITU-R Recommendation BS.775: Multichannel stereophonic sound system with and without accompanying picture
  3. Florida State University, Molecular Expressions: How a speaker works
  4. MIT course 2.972: How speakers work
  5. UNSW Physics, Music Acoustics: Hearing test, equal loudness contours and audiometry